Beach etching aquatint Southport Connecticut seascape art print black and white
Beach etching with aquatint Southport Connecticut seascape art print black and white, from an edition of 40.
This original etching with aquatint was inspired by an early evening walk on the beach near where I lived in Connecticut. The rough water, usually calm on Long Island Sound, the wind blowing the reeds in the water... all were signs that winter was about to arrive with a vengeance. A print from this edition resides in the Connecticut Historical Society's permanent collection.
The image area is 3 7/8in. x 7 1/2in., printed on 7 1/4in. x 10 1/2in. BFK Rives archival printmaking paper, and is pencil-signed and numbered.
PLEASE NOTE: The number of the print you receive will not necessarily be the number in the listing, and because each print is individually pulled, there are slight variances from piece to piece. This print does NOT include framing or matting. The photo of the framed art is only to suggest a style of framing.
All of my original prints are hand-pulled by me. Because of this, each etching, aquatint, silkscreen, woodblock or lithograph I do varies slightly from print to print, in effect making each impression an original print, unlike a “reproduction”, where every print is exactly the same.
How is an etching done?
An etching requires a highly polished metal plate, usually copper or zinc. The plate is covered in wax (or some other resist). I then draw the design directly into the wax using a sharp instrument known as an etching needle, the idea being to expose the metal along the lines I draw. The plate is dropped into a bowl of acid, which eats into the exposed metal. This process may be repeated many times for the development of the image. When the image is complete, the plate is inked and then the surface is wiped with a cloth, leaving ink lodged in the lines that have been etched into the surface of the plate. A sheet of damp paper is pressed upon the plate and a print results.
How is an aquatint done?
Like etching, aquatint uses the application of acid to make the marks in the metal plate. Where the etching technique uses a needle to make lines that print in black (or whatever color ink is used), aquatint uses powdered resin (or a liquid acrylic) which is acid resistant in the ground to create a tonal effect. The tonal variation is controlled by the level of acid exposure over large areas, and thus the image is shaped by large sections at a time.
I do not use any of the photography processes available today to etch my images, preferring to use traditional methods in my work.
To view more of my work, please visit my Etsy shop: http://www.williamholt.etsy.com
If you have any questions or concerns, please do not hesitate to contact me.
Member:
Los Angeles Printmaking Society
Printsy
This original etching with aquatint was inspired by an early evening walk on the beach near where I lived in Connecticut. The rough water, usually calm on Long Island Sound, the wind blowing the reeds in the water... all were signs that winter was about to arrive with a vengeance. A print from this edition resides in the Connecticut Historical Society's permanent collection.
The image area is 3 7/8in. x 7 1/2in., printed on 7 1/4in. x 10 1/2in. BFK Rives archival printmaking paper, and is pencil-signed and numbered.
PLEASE NOTE: The number of the print you receive will not necessarily be the number in the listing, and because each print is individually pulled, there are slight variances from piece to piece. This print does NOT include framing or matting. The photo of the framed art is only to suggest a style of framing.
All of my original prints are hand-pulled by me. Because of this, each etching, aquatint, silkscreen, woodblock or lithograph I do varies slightly from print to print, in effect making each impression an original print, unlike a “reproduction”, where every print is exactly the same.
How is an etching done?
An etching requires a highly polished metal plate, usually copper or zinc. The plate is covered in wax (or some other resist). I then draw the design directly into the wax using a sharp instrument known as an etching needle, the idea being to expose the metal along the lines I draw. The plate is dropped into a bowl of acid, which eats into the exposed metal. This process may be repeated many times for the development of the image. When the image is complete, the plate is inked and then the surface is wiped with a cloth, leaving ink lodged in the lines that have been etched into the surface of the plate. A sheet of damp paper is pressed upon the plate and a print results.
How is an aquatint done?
Like etching, aquatint uses the application of acid to make the marks in the metal plate. Where the etching technique uses a needle to make lines that print in black (or whatever color ink is used), aquatint uses powdered resin (or a liquid acrylic) which is acid resistant in the ground to create a tonal effect. The tonal variation is controlled by the level of acid exposure over large areas, and thus the image is shaped by large sections at a time.
I do not use any of the photography processes available today to etch my images, preferring to use traditional methods in my work.
To view more of my work, please visit my Etsy shop: http://www.williamholt.etsy.com
If you have any questions or concerns, please do not hesitate to contact me.
Member:
Los Angeles Printmaking Society
Printsy
